There are so many different types of shimmies, so I wouldn't know where to start except from searching for older threads in this forum for help.
Found this thread: How many shimmies are there where Kashmir so kindly explain from which muscles different shimmies are generated.
Thank you for your response,
What do you mean by shifting your weight back and force ? Like go ahead go behind, ?but isnt supposed to be on the other axe way side ?
Also, if i do little move of the knees my hips moves a little in term of going up, but if i moves more my knees, bend them more my hips side goes a lot more high, i don't know which one is good ?
Thank you !
Yara
Just to be clear, though, there is NOTHING wrong with using your knees to create a shimmy. It's a perfectly valid technique. In fact, in my experience, it's the one that most of my teachers have favoured.
It's just that there are other ways to create a shimmy, and each one has a slightly different quality.
Nothing wrong with knowing how to do a knee-driven shimmy. The problem comes if knee-driven style is the only shimmy a dancer is capable of. I suspect many teachers favor it because it is the easiest shimmy to teach. I didn't teach it because the shimmies that extend from one's core are more versatile and leave one's legs free to travel.
One of my students was a retired professional ballerina who now teaches dance classes at the rec center. She once told me that belly dance was the hardest thing she'd ever done- and she's no one dance style girl, either.
Nothing wrong with knowing how to do a knee-driven shimmy. .