Ok - now this makes a bit more sense!Thanks for the response -- but I actually meant to say I was having trouble visualizing the forefinger-middle finger method. Duh! Not my day.
How cool! Most on-line videos annoy me, but that particular one is an exception: Its well done, and she knows what she's talking about!I can confidently state that that is exactly how I was taught, because that's my teacher! :dance:
I'll be sticking to thumb & forefinger. I have a disfigurement on my left hand that would impede my use of the prop to do it between the fingers, so I'd lack the balance I have now.
Actually, I tried it out out of curiousity. Either I have absolutely awesomely flawless technique with the thumb & forefinger version or you and I have such vastly different morphology as to make all the difference, Zorba! I might have students try out those variants until they find what works for them. Thanks. I never even considered it!
Ok - now this makes a bit more sense!
Its pretty much the same as thumb/forefinger - hold the cane in between your forefinger/middle finger right up at the webbing. Now twirl it in a similar manner to your usual way - its really that simple. If you're used to "boosting" the cane on the upswing with your thumb, you do the same thing but with the middle finger - at least I do.
Does that make any sense?
That mirrors my finding as well. Just seems to give better results overall. At least thus far!OK, got it! I can see where there might be more potential of losing your grip if you're not careful, but I do kind of like it. The movement seems smoother with less "wobble."
Yea, the folkloric troupe I'm in has the same situation. The sticks we were using were just to darn heavy - for *me* - being used to very light canes. The were also too large in diameter. So now I have a 4 foot balsa dowel in a 5/8" diameter and everybody's happy. It looks the same but I can handle it and keep pace with the rest of the troupe! With that said, I know several dancers who prefer a heavier cane/stick - its all in what works for the individual dancer.On a side note, I twirl different weights of cane for different types of performances. My folkloric troupe uses those heavy plain wood ones for our Saidi piece, and I use the common variety gold-tape-wrapped bamboo ones for more theatrical styles.
It might indeed!I also have one of those super-light ones (which I don't use much because it's too short for me) and would like to learn to do that insanely fast spinning that Lebanese dancers do -- this might be a good technique for that.
I see you're semi-local to me - the teacher who taught me this is Dunia, of Desert Dance Festival fame.
Cool! I don't know Dunia well, but of course I'm acquainted with her through Desert Dance.
One thing an alternative grip might be good for is when your standard gold taped one has raised blisters in the thumb and forefinger space.![]()
. The next time I have to use that thing it's getting taped over with something kinder.
Wow. I've never had a blister from an assaya. Now blisters on the balls of my feet, yeah.
With the loose hold and release grip you don't get blisters because you only are holding tight for a short time. You also don't get that awful feeling that you can't feel the cane because you've been gripping way too hard for too long. But it needs to be heavy enough to fall under its own weight. Personally I use a real walking stick - heavy, thick, and it doesn't break if you whack it very hard on the floor.
Wow. I've never had a blister from an assaya. Now blisters on the balls of my feet, yeah.