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#11 (permalink) |
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But dont you think the 'mainstreaming' can be used to its advantage? However changed, ballroom does not seem to be dying out...LOL ( As for being a sport, in Estern Europe it has been considered sport for decades, and dancers' ballet basics is a must, yet it is not THAT commercialized, and to learn decent trainers look up to the sourse. Another concern here, that SURELY a chinese or Eastern European will interpret the dance through THEIR understanding of the culture, much different than say latin American, and that's inevitable)
Anyhow, I find it a very good point that Tarik made about the costumes (makes me smile to see Dina complain about costumes)... Is there a way for the dance to be lifted to a concert hall stage (im not just talking about BDSS) and the costuming more appropriate for stage than a night club. I really cant judge about Egyptian scene, but talking in general, can we find a role model who would promote dance as an ART, not just entertainment for the rich(come one you dont go to listen to Mozart while eating at a restaurant...lol) And still keeping the decent level of research and training, cleaned up from all that goddess-pagan-fertility stuff which must have sprung as a reaction to "harem" fantasy....
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#12 (permalink) | ||||
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Dear Reen,
Quote:
This dance is about an intimacy between the audience and the dancer that does not translate very well from the concert stage, and it gives the dance a formalization that was never intended. The costuming is only part of the story in countries of origin, not the whole story. Dancers have been looked down on in countries of origin long before the development of belly dance, and for many of the same reasons. Serious dancers are already promoting the dance as an art, but that does not mean we have to leave behind its sexual attributes, either. Art can be very sexy and still have class. Oh, and we have a group of dancers who are already dancing very covered up. They practice the Hilal Method. Go and watch a video or two. I would be interested to see what everyone thinks of them.? Regards, A'isha |
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#13 (permalink) |
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Member
Join Date: May 2008
Location: UK
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Ok, why not in the west do dancers not start adopting a more conservative approach to the dance in their costume, perhaps move towards how it was in the past as a folk dance in Egypt, i.e. dance covered up.
What the media industry has done in the west has brought us this dance, but it was wrong in the way the dance was portrayed, perhaps even insulting to the originating countries. Given that most western ME dancers know the history, and where it is wrong, they should be ok with doing things the right way, now they know there is a right way. From what I would like to understand is ME dance is about dance, not the appearance of the dancer. If dancers danced covered, this would weed out the people that see ME dance as an ogle fest and perhaps if the west is seen to be covering up, this might send better signals to the originating countries, and they might be a little more lenient, in that it might stimulate more of an interest, because it does not insult religious beliefs too much. Public dance I do understand is a no no with certain religious beliefs, but there are different levels of those beliefs, as has been demonstrated in the past. Human nature usually is effective at leveling ideas, balancing things out, Lanes book is very helpful in showing the balance that existed before, in one originating country. Though I have no plans to do this, as I am essentially a very private person, if it ever came to myself being on an acceptable level as to dance publicly and I had overcome my confidence issues, it would not my interest to be part of a flesh fest, and I would research a suitable costume to suit my requirements. To dance, is my interest for me, not my wish to entertain others, they don't like it, they can continue to fiddle with their cell phones.
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#14 (permalink) | |
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Quote:
For example, yesterday I was speaking with a ceramicist who was stuck with the direction their art should go from a sales point of view. They had thought to create more sexualized pieces, as sex sells. My ideas to them were you can create something which whilst not obvious, is suggestive, that is more likely to sell, as the message being sent is a personal thing. Many people, perhaps the majority wish not to be open with their personal interests, and prefer to let the mind see what they want to see. Dance to me, it is about the movement, not the flesh, it is the movement which I find the attraction. I see the message in the movement, so covered up dancing, is welcome to me, as I see beyond the obvious in a lot of arts.
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#15 (permalink) | ||||||
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Dear Khanjar,
Quote:
If you have no wish to entertain others, then I would recommend that you do not dance in public. The dance IS a form of entertainment and that means that if you get up in front of other people to do it, then it is your job to entertain them. Regards, A'isha |
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#16 (permalink) | |
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V.I.P.
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Quote:
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#17 (permalink) | |||||
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Dear Reen,
Quote:
Last edited by Aisha Azar; 07-02-2008 at 04:42 PM. |
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#18 (permalink) |
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Join Date: May 2008
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Perhaps then it is to analyse what are the problems as it is seen in Egypt, what exactly is the problem.
If it is religion, I can see the problems there, but a compromise can be had, most people will go for compromise despite what the hard liners say. I see part of our purpose in the developed west is to listen to what other parts of the world are saying and there we have a choice, we can show them we are listening and trying despite our differences to accommodate, or we can go our own way and leave them to it. Personally I seek the former as I see the latter as negative and not the way forward for a world so far developed in other areas. As to the information revolution, the Global Village, we can now with ease talk with anyone in any part of the world so equipped with communication technology, I would like to see that socially as well, a world despite our different cultures, we can get on and differences, we can arrive at a compromise or at least make continued efforts towards it in the form of understanding. Despite western superiority mentality, I am no better nor worse than anyone else of any other nationality, my country's history of conquest and colonialism has taught me that, as it is not nice for past reputations to proceed a person.
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#19 (permalink) |
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V.I.P.
Join Date: Apr 2007
Location: SA now UK(Newmarket)
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Yet everyone seems to comlain what the OTHERs are doing to the dance and how bad it is that it is 'mainstreamed' that way- eg at ren fairs etc. My thought is that it should not be rected but used to bring up the standards costuming included.<br><br>
Well suppose everyone has their approach- i would not attempt ballet, neither would my overweight middle aged neighbour, yet both of us enjoy bellydancing!<br><br> So Aisha you want to say that Bellydance is for restaurant only? Well maybe an example of Egyptian style by Dina - yes, what about AmCam with Isis wings? Hardlyfor small stage...
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#20 (permalink) | ||||||
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Dear Khanjar,
Quote:
True, but the fact is that reputations do go before us, just as reputation go before the people of the Middle East. Just ask anyone who has been accused of being a terrorist just because they are from Iraq. It is a two way street. Regards, A'isha |
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