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Old 04-12-2008, 06:52 PM   #11 (permalink)
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Yes, I second Brea on A'isha's post...and would give rep, but doesn't let me.
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Old 04-12-2008, 07:42 PM   #12 (permalink)
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Quote:
Originally Posted by Andrea Deagon View Post
My best answer fo this is that the idea of a Great Mother Goddess had two separate but related period of evolution. One was in the late 19th century, where it represented the primitive, ecstatic but ultimately irrational practices of the world before Western white males took it over : nice, but needing to be left behind, just as you can't stay with Mommy all your life.

The other time was in the 1970's, when it arose to serve as a counterweight to patriarchal ideas about a male, paternal, dictatorial, God, and the related world view that women were inferior, morally and spiritually. A benevolent mother goddess who thought sex and women were both nice and not in opposition to spiritual realities, was a wonderful empowering image. (The real problem with this was that the Victorial manifestation of the Great Mother provided the seemingly feminist, but often reductionist, idealogy behind the modern version.)

Even if you didn't believe in the Great Mother, it was a really nice idea. So it was projected into the past. Now the average modern woman didn't have to believe in it because all those other ancient people did.

In the 1970's, belly dance also took off in the West, or at least in the US, one of the reasons being that it too supported an integration of sexual, sensual, emotional and spiritual. Western women used it to integrate those things in their own lives. Regardless of its meanings in the East, that was how it evolved in the West.

So it's not too odd that belly dance and the "Mother Goddess" became involved in popular culture. For those who weren't there, and didn't have to hear about the "sultan's harem" and so on, it may be hard to imagine how great it was to have this alternative view that was also understandable by the general public. No one thought it was wrong, but no one really wanted to puncture it either.

I agree that the time for this is past. In fact one of my earliest Habibi articles, back in the 1990's, was on how we should seek the origins of this dance in the social history of the 20th ccentury (New Page 1 under articles). OTOH it isn't stupidity of individuals that caused this view to develop, it's social forces that we may now be almost ready to leave behind.

If anyone wants to read in-depth about the evolution of one motif, the dance of the seven veils, from the 19th century into the modern era of the belly dance community, I have an article on it in Anthony Shay and Barbara Sellers-Young, Belly Dance: Orientalism, Transnationalism, and Harem Fantasy (Mazda 2005). Just for a little light reading ...
Bravo again
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Old 04-13-2008, 01:03 AM   #13 (permalink)
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A'isha, I also love your post -- the idea that the dance is about human things. "Humans are sublime creatures ..." We are, aren't we? We are the total of our experiences, and that is what we dance about.

Maybe it's my Quaker upbringing, though, but to me the human is also imbued with something divine, whatever you call it. You don't (in my mind) have to see it as an entity (let alone a gendered entity) or anything separate from ourselves -- It could just be the sum of our common humanity. And the enchantment we've been talking about on another thread is shared through this common humanity, even if there is also a lot that could potentially drive us apart. If you're inclined (as I am) to see the divine in all aspects of the world, then humanity and divinity are two aspects of the same thing: mirror images, or the shell and the core, or the interwoven threads of the whole cloth.
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Old 04-13-2008, 01:32 AM   #14 (permalink)
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Default Goddess

Dear Andrea,
I am a Panthiest and I believe that there is no thought, word or deed, or any other manifestation of any kind that is not God's experience of Itself, through and through. In other words, there is nothing that is not God!!
Regards,
A'isha

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Old 04-13-2008, 03:44 AM   #15 (permalink)
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That would be Dr. Zahi Hawass. I heard him say that on a Discovery documentary. Love that man!

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Priscilla


Quote:
Originally Posted by A'isha Azar View Post
Dear Gang,
I am reminded of an archeologist ( can't remember his name right now) who was talking about certain metaphysical groups who always want to give credit for the building of the pyramids to either space aliens or the use of heavy duty magic. What he said was that in not giving due credit to normal human beings for both conceiving of the idea of pyramids and actually building them, that they are greatly denigrating the human soul, heart and mind. These structures were built by humans, for the very human need and purpose of achieving something lasting, either in the form of the structure itself, or in the preservation of the human body and soul.
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Old 04-13-2008, 04:03 AM   #16 (permalink)
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Default goddess, etc.

Dear Priscilla,
I think you might be correct. Thanks!
Regards,
A'isha
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Old 04-13-2008, 06:45 AM   #17 (permalink)
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So... is there any way to (gently) tell these women that they've got it wrong? They always seem so angry when I say there isn't any evidence to support their ideas, then go and look all horsey and snooty at pagan old me!
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Old 04-13-2008, 01:57 PM   #18 (permalink)
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Default Dance Theology

Dear Adiemus,
I think that people believe about the dance what they need and want to believe, a lot of times, rather than trying to look at the information available to us and draw a reasonable conclusion. It is sort of like anything else that human beings decide to turn into a religion. That which is sacred does not necessarily need to make sense or have a historical background in truth of any sort. That's what "faith" is all about.
Just look at the historical Jesus, for example. It was not enough that he came into a very violent place and thought very different kinds of thoughts in a time when no one else was really thinking them yet in his little corner of the universe. ( I think that was TRULY miraculous!!!!) No, we gotta have the guy raising people from the dead, turning water into wine, walking on water, etc. Some people are not satisfied with the true miracles in their religion or in their dance, so they create what they need.
For me this sublime humanness that the dance expresses is the very miraculous truth of the dance, but I guess that is just not spectacular or "deep" enough for some people.
What can we do about it? We can keep on dancing our truth and that's about it. Audiences seem to respond VERY positively to the realities of the dance when we dance well, because it touches them at their very human core also.
Regards,
A'isha
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Old 04-13-2008, 04:41 PM   #19 (permalink)
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I try to start with some history for my new dancers so they will be coming from a foundation of the real background. That said, there are always going to be people who want it to be religious. Considering that I think the concept of the Mother Goddess is historically incorrect in general I suppose people are always inventing new religions for themselves.

Especially considering many teachers do tell their students this is the background of the dance, it is a hard thing to try to explain in my experience.
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Old 04-13-2008, 05:36 PM   #20 (permalink)
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Yes, in a certain way I sometimes feel that trying to destroy stereotypes is like fighting a Hydra - you cut of one head and fifty other dancers will come to town telling just the same lie about the Mother Goddess thing. It sometimes makes me desperate because I say to myself, no matter what I do, there will always be this one dancer somewhere who's going to tell all these invented "historic facts" and all....but then I realize that I love this dance so much I cannot give up, and there would be one knight less to fight the inaccuracy-stereotype-hydra beast.
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