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#11 (permalink) | |
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Moderator
Join Date: Jul 2006
Location: Heidelberg, Germany
Posts: 1,482
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Quote:
(at least they are supposed to be able to...) And although I am not Egyptian, I follow their example One should be ready for everything and should be able to dance different kinds of music.As about Oum Kalsoum, me as a non Arab who understands only very little Arabic, would never dare to dance on a sung version of an Oum Kalsoum song. Of course never ever on a song sung directly by her, but also not on a song of hers sung by somebody else. I can understand the feelings of the Egyptian people about that. I only dance instrumental versions of Oum Kalsoum, because even if I don't know the lyrics, the music itself touches me.
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Oriental dancer and instructor of Greek origin, living in Germany www.chryssanthi.com |
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#12 (permalink) |
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V.I.P.
Join Date: Jul 2006
Location: Dubai United arab emirates
Posts: 1,338
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If you are serieus about bellydancing ,you must learn about Oum Khaltoum and her music if you dont you just mis to much....the words and the music will touch even if you dont understand the lyrics, but try to get a translation if you like a song the words are like no other songs...aswell you will be able to perform on it much better if you know what the words say....Lydia
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#14 (permalink) |
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Member
Join Date: Apr 2007
Posts: 65
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C Sahar,
I agree Egyptian Dancers or even good Egyptian style dancers have great improv skills. The ability to read and know instinctively what your audience knows is key. I really appreciate your words. It means so much to me to see the level of respect that you have for the music and for Um Kulthum. That is nice to see ![]() Um Kulthum's lyrics touch such a deep part of me. Another reason I've always loved her is her songs are essentially poetry. Songs like "Akaad Ashuk Feek" and "A Ghadan Alghaak" and " Yali Yishgeek Anini " have even young kids walking the streets singing in highly sophisticated Arabic. She brought poetry back to our kids. Arab people have always prided ourselves on our linguistic abilities. The poets of the past and the writers of today share this great lyrical language of ours. Um Kulthum along with Ahmed Rami and Riyad Al Sunbati brought that back to the masses. I teach Arabic here in WA and it amazes me and humbles me when a student of mine has that moment where it all clicks. " now I get it" that's so exciting for me! Jet! I am glad you'll be watching the DVD. It is amazing. Omar Sharif is narrator and you should really enjoy it. I liked it so much I watch it over and over again, |
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#15 (permalink) | |
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Moderator
Join Date: Aug 2006
Location: Denmark
Posts: 928
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Quote:
I don't feel as I'm ready to dance to Oum yet, as in PERFORM, since I don't think I'm responding emotionally enough with my body.
__________________
You need chaos in your soul to create a dancing star-nietzsche |
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#16 (permalink) |
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Member
Join Date: Apr 2007
Posts: 65
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Hi Gisela,
I like Fatme Serhan when she does baladi music. She has a nice voice. she sings as if she's still in upper egypt. She's so passionate when she really gets going! Who are your other favorite singers. Do you like Asala, or Najwa Karam? In Egypt we value, 'Beha' . Beha is literally Hoarseness. Um Kulthum has that in abundance. It's not so much that her voice gives out or anything. It's the emoting of the words and the ability to capture her audiences heart breaks and joys. I have 6 aunts and as a young girl I remember bing treated to whatever they were going through. Each had an um Kulthum song that got them through relationships, babies, sudden deaths and I would hear so much of that. My older relatives remember her national music best. |
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#17 (permalink) | |
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Member
Join Date: Jul 2007
Location: Chicago
Posts: 69
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Quote:
Hopefully no one gets upset by that compasion but it helps me empathize with the emotional baggage felt with Oum Kalthoum songs. |
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#18 (permalink) | |
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