Belly Dance Forum


Belly Dance Store

Go Back   Belly Dance Forums > Dance from, and inspired by, the Near and Middle East > Male Dancers

Reply
 
LinkBack Thread Tools
Old 05-15-2008, 12:18 PM   #111 (permalink)
Senior Member
 
Join Date: Mar 2008
Location: Liverpool UK
Posts: 812
Reputation: 49
Default

Quote:
Originally Posted by Suheir View Post
How about women who portray men on stage? Females-as-males drag acts are completely out of fashion now (unless you count Shakespeare, girls pretending to be boys pretending to be girls ) but in the late 19th/early 20th century male impersonators such as Vesta Tilley and Ella Shields were massively popular in Music Hall, both in Britain and abroad.

Ella Shields:

Is this the British Baba Karam??
Caroline_afifi is offline   Reply With Quote
Old 05-15-2008, 12:54 PM   #112 (permalink)
V.I.P.
 
Join Date: Jul 2006
Location: Europe - London
Posts: 1,227
Reputation: 52
Default

Quote:
Originally Posted by Caroline_afifi View Post
Is this the British Baba Karam??
You've got a point there!
Suheir is offline   Reply With Quote
Old 05-15-2008, 01:20 PM   #113 (permalink)
Senior Member
 
jenc's Avatar
 
Join Date: Feb 2008
Location: Colchester UK
Posts: 645
Reputation: 48
Default

Quote:
Originally Posted by Caroline_afifi View Post
Is this the British Baba Karam??
jenc is offline   Reply With Quote
Old 05-15-2008, 01:29 PM   #114 (permalink)
Member
 
Join Date: Nov 2006
Location: Brooklyn, New York
Posts: 366
Reputation: 40
Default

Quote:
Originally Posted by Andrea Deagon View Post
This may be totally off topic, but I have been reflecting on the nature of men who portray women on stage, such as you would find in Japanese or ancient Greek theater. They were working in formal media, where the presentation of gender would be stylized for both men and women, but they weren't doing parody, but a particular way of being. At the same time I think that in Greek theater (which I know a lot better than Japanese) there was a lot of room for portraying different kinds of women, so that the individual character was as important as the specific ways of performing gender.

But it also has me thinking in terms of how much our concept of gender is determined by our culture. I just got a rather poorly thought-out term paper from a student who was arguing that XYZ happened in Greek myth because women were more emotional than men. Well, in our culture, maybe, women are considered more emotional, but it's hard to make the same claim for ancient Greece when Achilles spends 12 days weeping and not eating because his best friend died, not to mention other equally notable emotional displays. So our cultural construction of gender is different with respect to emotion.

So even if the patriarchies of North America, Europe, Egypt, and Turkey (say) have some points of comparison, isn't the construction of gender bound to be different in each? And therefore isn't the way in which gendered dance emerges bound to be different in each culture? And in each individual in each culture? Our genders -- our individual genders -- are all different points clustered an an orb of potentials that our anatomies and cultures allow.

Having said all that, I had the privilege to see Tito live a couple of weeks ago. He was phenomenal; his energy rocked the house. But I never saw him bring the internal quality that I've seen in Mona Said, Dina, Randa Kamal. It was a blaze of delight, but it wasn't at all interior. Cultural construction? Universal principle? Failure of translation?

OTOH I did find this interior quality in Jim Boz, which (sorry Jim) was the last place I had expected to see it, if only because of my own prejudiced readings of his discourse on masculinity.

I hope this isn't ridiculously obscure ...
I totally agree that culture informs gender constructs and that this shows up in dance! I hope to see Tito live. I love his smile.

I saw Jim Boz live maybe a year ago and that time Jim's energy was vast, he was a real crowd-pleaser, and to me he seemed very extroverted onstage; I did not see much "interiority" but a) I'm not up on his discourse on masculinity and b) I think maybe that not only do these things vary by culture, anatomy, dance, and individual, but also by the occasion and mood of the performer and audience!

I guess you are implying that "interiority" is a female trait, at least in this dance? Is it related to certain emotions, would you say?

Cathy
cathy is offline   Reply With Quote
Old 05-15-2008, 02:28 PM   #115 (permalink)
Senior Member
 
Tarik Sultan's Avatar
 
Join Date: Sep 2006
Location: Jersey City, New Jersey
Posts: 944
Reputation: 99
Default

Quote:
Originally Posted by Andrea Deagon View Post
This may be totally off topic, but I have been reflecting on the nature of men who portray women on stage, such as you would find in Japanese or ancient Greek theater. They were working in formal media, where the presentation of gender would be stylized for both men and women, but they weren't doing parody, but a particular way of being. At the same time I think that in Greek theater (which I know a lot better than Japanese) there was a lot of room for portraying different kinds of women, so that the individual character was as important as the specific ways of performing gender.

But it also has me thinking in terms of how much our concept of gender is determined by our culture. I just got a rather poorly thought-out term paper from a student who was arguing that XYZ happened in Greek myth because women were more emotional than men. Well, in our culture, maybe, women are considered more emotional, but it's hard to make the same claim for ancient Greece when Achilles spends 12 days weeping and not eating because his best friend died, not to mention other equally notable emotional displays. So our cultural construction of gender is different with respect to emotion.

So even if the patriarchies of North America, Europe, Egypt, and Turkey (say) have some points of comparison, isn't the construction of gender bound to be different in each? And therefore isn't the way in which gendered dance emerges bound to be different in each culture? And in each individual in each culture? Our genders -- our individual genders -- are all different points clustered an an orb of potentials that our anatomies and cultures allow.

Having said all that, I had the privilege to see Tito live a couple of weeks ago. He was phenomenal; his energy rocked the house. But I never saw him bring the internal quality that I've seen in Mona Said, Dina, Randa Kamal. It was a blaze of delight, but it wasn't at all interior. Cultural construction? Universal principle? Failure of translation?

OTOH I did find this interior quality in Jim Boz, which (sorry Jim) was the last place I had expected to see it, if only because of my own prejudiced readings of his discourse on masculinity.

I hope this isn't ridiculously obscure ...
By interior quality I take it you mean the more tender emotions? I think I'd agree with you there. Dina is the queen of emotions when she dances, but I don't think it is necessarily a female thing per say. Of course I find that both in the West and the East, females are regarded as being more emotional than men. However, I also find that in the EAst men are allowed to be in touch with and express their emotions in a way that Western men are not, even in the expression of affection between males.

It really is hard to say because Tito is only one man and there aren't enough male dancers in Egypt yet. You do see it with male singers though, so I wouldn't say it's not acceptable for males to do so. It's just that since its so recent to see a male in Egypt doing Oriental, we haven't seen anyone do it in the context of a dance yet. Then again, maybe he does on occasion. All we have of him is the odd video clips and live show. I personally haven't done it, but its due to the fact that I haven't found a song I like and it isn't appropriate for most of the contexts within which I dance.

I like your insight about cultures having different expressions of gender. This is the point that I keep trying to express with the context of male dance both professional and social. Most westerners and even some Easterners assume that any movements of the hips and fluid hand and arm movements are "female", or "feminine" and when they see men dancing this way, they assume they are imitating women. This is not the case at all. It's like you say, different cultures have different rules about what is and what is not acceptable behavior. So in Africa and the Middle East it is acceptable and ordinary for men to move their hips even in a very sensual way where as in the West, unless a guy is being overtly sexual in the presence of a female dance partner, it isn't. This is why people have to keep flexible minds and realize that the rules change slightly from culture to culture. There is no wrong or right, just differences.

When I first went to Egypt in 1988 I was shocked to realize that wearing gold chains, (unless you're a christian), was considered feminine. That was the time of Mr. T when guys were wearing tons and tons of oversized gold chains. I also realized I had to leave my earrings at home. I thought with my gold chain and 3 earrings I was just too cute, people in Egypt thought a guy with 3 earrings was just TOOO CUTE!
Tarik Sultan is offline   Reply With Quote
Old 05-16-2008, 07:50 AM   #116 (permalink)
Senior Member
 
jenc's Avatar
 
Join Date: Feb 2008
Location: Colchester UK
Posts: 645
Reputation: 48
Default

Actually having watched your dance on clips, I don't get the same vibes I get with Tito. I would still have said I didn't get the feminine essence that Ai'sha sees in men doing sharki, but I didn't get the masculine vibes I get from Tito.

Ac
jenc is offline   Reply With Quote
Old 05-16-2008, 03:17 PM   #117 (permalink)
Senior Member
 
Tarik Sultan's Avatar
 
Join Date: Sep 2006
Location: Jersey City, New Jersey
Posts: 944
Reputation: 99
Default

Quote:
Originally Posted by jenc View Post
Actually having watched your dance on clips, I don't get the same vibes I get with Tito. I would still have said I didn't get the feminine essence that Ai'sha sees in men doing sharki, but I didn't get the masculine vibes I get from Tito.

Ac
That's a pretty accurate assessment I'd say. Our energies a very different, but then again, men do not all have the same vibe. I'm not what you would call an aggressive rigged jock type at all. Tito on the other hand has come up the hard way. He's from a poor neighborhood from a rough part of town and judging from all the scares on his face, he's no stranger to having to slug it out. I guess you could say as far as guys go, I'm the brainy type while he's the branny type if that makes sense.
Tarik Sultan is offline   Reply With Quote
Old 05-16-2008, 03:57 PM   #118 (permalink)
Senior Member
 
Join Date: Mar 2008
Location: Liverpool UK
Posts: 812
Reputation: 49
Default

Quote:
Originally Posted by Tarik Sultan View Post
By interior quality I take it you mean the more tender emotions? I think I'd agree with you there. Dina is the queen of emotions when she dances, but I don't think it is necessarily a female thing per say. Of course I find that both in the West and the East, females are regarded as being more emotional than men. However, I also find that in the EAst men are allowed to be in touch with and express their emotions in a way that Western men are not, even in the expression of affection between males.

!
Where did my post go where I talked about this before??

I have still yet to see men taking on great songs by male singers. That is not about pigeon holeing, but the 'obvious' to me.

What often bothers me is all the pizazz in mens dancing, it does look a bit too much like showmanship sometimes. I am open to offers to any clips that challenge this! I did see the Hungarian male dancer but this clip was not for me at all. I am taking about songs specifically and emotional expression.
please...
Caroline_afifi is offline   Reply With Quote
Old 05-16-2008, 06:31 PM   #119 (permalink)
Senior Member
 
Tarik Sultan's Avatar
 
Join Date: Sep 2006
Location: Jersey City, New Jersey
Posts: 944
Reputation: 99
Default

Quote:
Originally Posted by Caroline_afifi View Post
Where did my post go where I talked about this before??

I have still yet to see men taking on great songs by male singers. That is not about pigeon holeing, but the 'obvious' to me.

What often bothers me is all the pizazz in mens dancing, it does look a bit too much like showmanship sometimes. I am open to offers to any clips that challenge this! I did see the Hungarian male dancer but this clip was not for me at all. I am taking about songs specifically and emotional expression.
please...
Now when you say pizzaz, exactly what do you mean? Do you mean too much props, or do you mean just the general energy level?
Tarik Sultan is offline   Reply With Quote
Old 05-16-2008, 07:29 PM   #120 (permalink)
Senior Member
 
jenc's Avatar
 
Join Date: Feb 2008
Location: Colchester UK
Posts: 645
Reputation: 48
Default

Quote:
Originally Posted by Tarik Sultan View Post
That's a pretty accurate assessment I'd say. Our energies a very different, but then again, men do not all have the same vibe. I'm not what you would call an aggressive rigged jock type at all. Tito on the other hand has come up the hard way. He's from a poor neighborhood from a rough part of town and judging from all the scares on his face, he's no stranger to having to slug it out. I guess you could say as far as guys go, I'm the brainy type while he's the branny type if that makes sense.
I was going to say before I rushed off to the emergency dentist OUCH!!!

A'isha says that
Quote:
He stands and moves from a place where his hip line and torso are the places that predominantly catch your eye, even when he is moving his arms. While a female would not stand so arch backed and her female body line draws the eye to the pelvis more automatically, the the effect is the same
I would have said that was Tito being masculine. A lot of guys draw all the energies from that area, and Tito strikes me as definately knowing where his balls are.
jenc is offline   Reply With Quote
Our Sponsor
Reply

Bookmarks

Thread Tools

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are On
Pingbacks are On
Refbacks are On



All times are GMT. The time now is 10:46 AM.

Belly Dance Store | Belly Dance Classes | Oriental Dancer.net - Belly Dance Hub

SEO by vBSEO 3.1.0