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Old 01-11-2007, 07:50 PM   #11 (permalink)
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As I read this most- um, er- interesting article, I kept imagining the guy dancing with fierce expression and commmanding will-not-be-challenged presence to the strains of that old disco number, "Macho, Macho Duck."
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Old 01-11-2007, 08:25 PM   #12 (permalink)
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Lmao! Brilliant!

I would pay money to see that.
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Old 01-11-2007, 09:35 PM   #13 (permalink)
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Thanks everybody for your input and your humor! I guess if and when this student starts next month I will assess his needs as I do my other students. He may have two left feet and two right hips for all I know.
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Old 01-12-2007, 04:02 PM   #14 (permalink)
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Quote:
Originally Posted by Sara View Post
But seriously...either he's too caught up in being a 'man' or he's living in the past
Yep, exactly!

Its what I call "The Trap of 'Masculinity'". Quoting from one of my articles from my WebSite:

I see so many male Belly Dancers become so pre-occupied with their masculinity and what is "masculine" in their dance that they lose sight of the dance itself - which is graceful, flowing and beautiful. This is what I call the "Trap of 'Masculinity'". Indeed, I see some male dancers do stage tricks and prancing about on stage trying to look "masculine", rather than actually doing much real dancing.

-Zorba
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Old 01-16-2007, 07:23 AM   #15 (permalink)
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Wow what an article by Stefan !!!!

There is one and only time where I'm happy that most greek bellydancers (males and females) dont speak so much english (this is the problem also and why you dont see more greeks around). In this case this article could creative domino falls.

Maria Aya

p.s. Dear Yasmine, do what you do and use your instict in class, this helps always.
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Old 01-17-2007, 05:30 AM   #16 (permalink)
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I don't agree with the message in that article. A dancer, of either gender, should strive to grasp the building blocks that make the dance what it is. And being an artist is being vulnerable. Following a formula of "fierce" posturing to look macho is not what Oriental dance is about, IMO.
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Old 01-17-2007, 09:42 AM   #17 (permalink)
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I agree with that, and while reading the article with my boyfriend (we had to laugh so hard lol) we started wondering what, in the author's opinion, is a good feminine bellydancer. Probably one who looks weak, vulnarable, sweet and soft and easy to be challenged by everyone
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Old 01-17-2007, 04:16 PM   #18 (permalink)
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Quote:
Originally Posted by Salome View Post
I don't agree with the message in that article. A dancer, of either gender, should strive to grasp the building blocks that make the dance what it is. And being an artist is being vulnerable. Following a formula of "fierce" posturing to look macho is not what Oriental dance is about, IMO.
Salome's an example of someone WHO GETS IT!

YAY!

-Zorba
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Old 01-17-2007, 06:22 PM   #19 (permalink)
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Mostly off the subject, but I thought the diagonal was a good use of stage presence, because going back and forth or front to back all the time is tiring for the audience to watch?
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Old 01-17-2007, 06:37 PM   #20 (permalink)
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Diagonals are also the best way to show off the dancer's body and what s/he's doing under many (but not all, of course) situations.

-Zorba
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