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#11 (permalink) | |
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V.I.P.
Join Date: Feb 2008
Location: Colchester UK
Posts: 1,023
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Quote:
I have nothing against drilling as such, as Westerners,usually starting later eg as adults, we need to get our isolations ultra isolated before we are able to disregard that and get back to connecting with the music. What we are getting so often these days is western oriental dance mixed in with westernised versions of other dance traditions. Chicken tikka pizza, anyone? But how about if we made it with french brioche dough, and added some sauerkraut? When is a pizza not a pizza, and when is "fusion", or "tribal" no longer worth doing? |
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#12 (permalink) | |
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V.I.P.
Join Date: Jul 2006
Location: MN
Posts: 1,087
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Quote:
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#13 (permalink) |
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V.I.P.
Join Date: Feb 2008
Location: Colchester UK
Posts: 1,023
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I should declare here that I'm not a purist. I want to dance egyptian style because it blows me away, but I may well do a veil dance without worrying about the fact that egyptians don't. And I don't want anyone to tell me that I shouldn't have done hip ups cos they are turkish or any such. For me egyptian style is almost entirely not about the steps, it's about the flow, the emotion, the way the dancer carries herself, and about the music.
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#15 (permalink) | |
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V.I.P.
Join Date: Jul 2006
Location: MN
Posts: 1,087
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Quote:
Personally, I am learning lots of "Margo moves", but I have no clue if they are Lebanese, Turkish, Moroccan, or what! At some point I hope to find out from Margo herself. |
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#16 (permalink) |
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Moderator
Join Date: Aug 2007
Location: The North, UK
Posts: 810
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maybe i'm missing something but i really can't read all that from that quote. suggests to me they are stating the difference, as they are stating it right there.
![]() i think it really depends on the teacher. i suppose i'm just being obvious now. but there's nothing wrong with chicken tikka pizza if you say this bit here is italian, and now i'm adding a bit of indian. the difference is what you do and don't say. maybe there's more info behind the quote than is accessible here. surely fusion is worth doing for as long as someone wants to. but if they label it as something other, that is where it makes a difference. nevermind, i'm rambling...
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"Nothing is black and white, it's all shades of grey" Me |
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#17 (permalink) |
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V.I.P.
Join Date: Feb 2008
Location: Colchester UK
Posts: 1,023
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I think not everyone got that I am talking about a class that I attended, and I am quibbling with the informed choice, as I didn't see anything that I would have called egyptian and the only reason I know that the music was turkish is that I googled it. I don't think that any of the other students had a clue what I was talking about when I said I liked egyptian style. I would have been happier for the teacher to say right out that she taught tribal or fusion, or whatever, but she says she teaches egyptian (albeit alongside other elements). I had hoped to learn at least something that I could relate to. I guess that the pizza analogy could be looked at the other way. What if I told you it was indian food (with italian influence). (Although maybe that doesn't even work as there ARE indian pizza takeaways in Leicester that serve totally different food to what you would expect from a pizza.
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#18 (permalink) | |
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Moderator
Join Date: Aug 2007
Location: The North, UK
Posts: 810
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Quote:
![]() On the when is a pizza not a pizza thing, you could spend a lifetime on that one, and many people have. When is one thing one and not another. When does a pile of grains of sand become a heap? The thousandth? But what about the 999th or the 1001th. Is there one tiny grain of sand that changes the whole definition? My word, I really am rambling now. Next it'll be trees with no-one around to hear them ![]()
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"Nothing is black and white, it's all shades of grey" Me |
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#19 (permalink) |
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V.I.P.
Join Date: Jul 2006
Location: Sussex, England
Posts: 1,687
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If you are teaching mishmash (
for labelling it as such and for saying this is Turkish style, this is ATS etc) you are not going to get the essence and feeling behind the different styles across. OK the students will learn there are different styles ( ), but "insight"? I don't think so. IMO the way to get an insight into the differences is to experience as much of the definitive, unfused style as you can get. |
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#20 (permalink) | |
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V.I.P.
Join Date: Apr 2007
Location: Between Heaven and Earth
Posts: 2,262
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Quote:
Hey this is actually a great point, makes more things clear to me... As for that... well I have nothing agains "Westernized" dance, if the dancer posesses grace, technique and connects with music- fine by me, as long as she does not try to 'sell' it for 'Authentic' whatever
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