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#11 (permalink) |
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Senior Member
Join Date: Jul 2007
Location: Christchurch, New Zealand
Posts: 977
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I've used her DVD's a lot, but I don't like her performances...too 'western' as you say. But the basic technique is good, it's how you put it all together that I think is where the real feeling comes in - at least her DVD's are not all about 'Look at ME' or 'look at this MOVE'.
But that 'feeling' is neither ballet nor western - personally I think it's North American and quite different from what happens in the Southern Hemisphere!
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He wahine, he taonga- Every woman is a treasure(Maori proverb) |
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#12 (permalink) |
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V.I.P.
Join Date: Feb 2008
Location: Colchester UK
Posts: 1,050
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I agree. I wouldn't call Jenna Egyptian style at all. However, for those of us without the cultural background, such western style attention to detail is worth drilling to start the muscles learning about how to behave. HOWEVER, to progrees towards true egyptian style, you would need to learn how to drive the movements differently than Jenna.
Jenna teaches knee driven movements. Later you need to drive hip movements from the obliques, letting knee bend in response to movement rather than creating it. This is the only way to get really fluid movements. Jenna is great AmCab, Western Oriental (whatever you want to call American style)performer though |
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#13 (permalink) |
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Member
Join Date: Jul 2008
Location: Tennessee
Posts: 329
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I did a bit of research into Samia Gamal for a presentation that I did in my oral communications class for college on bellydance. Samia studied a little ballet with King Faruk's daughters from a Russian Ballet teacher. It was this teacher who helped her learn what to do with her arms and maybe one reason why her arms are so graceful and feminine in her dance.
I think ballet would be terrific for learning balance and proper turns as well as stunning arabesques to incorporate into your dance. ![]() |
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#14 (permalink) | |
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Member
Join Date: Aug 2008
Location: USA
Posts: 109
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Quote:
hth ![]()
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Beginner: Egyptian style. Greatly admire: Didem, Sadie, Ansuya |
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#15 (permalink) |
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Junior Member
Join Date: Jul 2008
Posts: 16
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My dance background is primarily ballet (about 12-13 years of my childhood and teens!). If find that having the past dance training helps immensely with posture, my ability to understand and remember choreography, and to count music. On the downside, when I'm not concentrating I tend to lapse into postures locked in my muscle memory (even 15 years since I last took a ballet class!). "Ballet arms" which look far too rigid for belly dance are my big problem
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#16 (permalink) | |
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Member
Join Date: Aug 2008
Location: USA
Posts: 109
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Quote:
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Beginner: Egyptian style. Greatly admire: Didem, Sadie, Ansuya |
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#17 (permalink) | |
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Member
Join Date: Aug 2008
Location: Sydney, Australia
Posts: 74
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Quote:
Recently I watched a couple doing a "belly/ballet fusion". It's actually a female belly dancer who has hooked up with a male ballet dancer. To my mind, it didn't work - his long body lines and beautiful extensions, which would have looked great on their own, looked overdone and pretentious when viewed side by side with the belly dancer. Jazz ballet might be a better bet as it is more grounded, although these days it all seems to have gone a bit too hip hop!
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Sirena : Belly Dance Oz video blog + shop Last edited by Bellydance Oz; 08-29-2008 at 01:01 AM. |
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#18 (permalink) |
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Member
Join Date: Jun 2008
Location: In da hood BK!
Posts: 205
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I had been taking Jazz for more than 10 years, and it helped a lot for the Oriental Dance. Jazz use chest circle, shoulder shimmies, shimmies, many hip works, undulation, turns floor works, steps and neck slide and many things. However, I had problem with ISOLATION! For instance, when I did hip drop, entire my body was bounced! Because Jazz use entire your body to express feelings and moves. Also I stand with my feet wide open instead of regular stance. And JAZZ HAND! Yap, my hand was wide open when I raise up my arm straight up and side! LOL. Now I don't do Jazz Hand anymore, and do not bounce while hip drops, but it takes little while to correct them. I did ballet a little bit, but it wasn't my thing. I love dance generally, and I study a little bit of Hip-Hop (includes Popping, Voguing, Waving etc...) tap dance, and just love Salsa, Reggae, Samba, African and many other dance that make me feel good and make me move!
Maybe just try ballet or Jazz and see what you feel. Maybe you love it, maybe you don't like it. Just try without thinking benefit for Oriental Dance, but as one of dance art form. |
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#19 (permalink) |
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Member
Join Date: Jul 2006
Posts: 170
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I am using a great ballet/pilates dvd series-
Attitude and Attitude Tu by Bernadette Giorgi. Its a comprehensive program using ballet barre exercises and pilates mat exercises along with ballet movements. Last week, she added a Pilates Circle dvd to the series which I will order next month. Bobby Farrah ( Oriental dance choreographer) used to encourage his dancers to explore other dance forms to become better Oriental dancers.... |
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#20 (permalink) |
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Member
Join Date: Aug 2008
Location: USA
Posts: 109
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like bellydance oz, i too am having to unlearn my yrs of ballet. the toughest has been having to NOT keep my hips and feet turned out but to keep them straight forward whenever travelling. and the arm positions...i've simply kept them in 2nd position for now (easier for me) tho i do find the arm positions for bellydance EXTREMELY laxed. imo i'd opt for maybe jazz as jazz shares more common moves as the moves in bellydance.
but yes - exploring other forms of dance is always good as it keeps and broadens your own dance horizons ![]()
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Beginner: Egyptian style. Greatly admire: Didem, Sadie, Ansuya |
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